The modern superhero movie would not exist without the version of Superman limned by Christopher Reeve in Warner Bros. 1978 smash Superman.
First created in 1938 by Jerry Siegel and Joe Shuster for Action Comics, the Man of Steel became a pop-culture mainstay with the syn- dicated Adventures of Superman TV series in the 1950s. But it wasnt until DC Comics moved into the world of Warner Bros. and Reeve donned the last son of Kryptons blue-and-red tights for the Richard Donner-directed Superman that bringing a comic book superhero to life on the big screen was seen as blockbuster business. And the spoils were considerable: In the moment, Superman ranked as WBs highest-grossing movie ever.
For the next two decades, Warner Bros. dominated superhero cinema, especially after Tim Bur- tons Batman in 1989 launched the Caped Crusader as the dark and brooding yin to Supermans virtuous and hopeful yang. By 2008s The Dark Knight, more than a dozen DC Comics live-action adaptations had earned upward of $4.4 billion in unadjusted global grosses. That same year, however, Marvel Studios Iron Man debuted; in the 2010s, despite successfully launching Wonder Woman and Aquaman into their own lucrative film franchises, DC was forced to live under the considerable box office shadow of its longtime rival.
Cut to 2023. On Jan. 30, DC Studios took one giant leap to reassert its place in the comic book firmament, when newly installed chiefs James Gunn (director of Marvels Guardians of the Galaxy franchise) and Peter Safran (producer of DCs Aquaman and Shazam!) unveiled the first chapter of their vision for the future of the unit at a media event on the Warner Bros. lot. For the first time since WB and DC became one in 1969 (when the studio was acquired by Steven J. Ross Kinney Corp., which owned DC), stories from the comic trove will unfold with creative coordination across film, TV, animation and gaming.
Theyre on a mission, Warner Bros. Discovery CEO David Zaslav says of Gunn and Safran. The blue- print for expanding DCs footprint in the biz is closely intertwined with the big-picture strategy for Warner Bros. overall. We have a real opportunity to breathe life into these characters, Zaslav says.
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To start, DC is going back to where it all began with Superman: Legacy, which Gunn will write and direct for an expected July 11, 2025, release date. The film focuses on Superman balancing his Kryptonian heritage with his human upbringing, Safran said in January. He is kindness in a world that thinks of kindness as old-fashioned.
But dont expect a retread. I dont think the movie would be worth making if it was just a redo of any other Superman adaptation, Gunn tells Variety. For us to truly thrive as a studio, we need to honor the past of these characters while simultaneously seeing them in a new light.
Batman is also getting a reboot with The Brave and the Bold, a feature film showcasing the super- heros relationship with a maladjusted Robin; and HBO Max series Paradise Lost will explore the history of Wonder Womans home of Themyscira. (Matt Reeves The Batman Part II with Robert Pattinson, and Todd Phillips Joker: Folie Deux with Joaquin Phoenix and Lady Gaga, will exist outside of DC Studios cinematic universe.)
Gunn and Safran arent just relying on DCs marquee heroes, however. Theyre also planning films about more obscure characters like the Swamp Thing (with James Mangold eyeing to direct) and a team of morally ambivalent superhumans called the Authority, as well as a TV series about Booster Gold, about a man who fakes his superheroism, using technology from the future.
Its all designed to broaden DCs horizons and bring a wider diversity of storytelling to audiences.
We think theres a lot of potential in some of these lesser-known characters to be the stars of the DC of the future, Gunn says.
(Pictured: Christopher Reeve in 1978s Superman Robert Pattinson in 2022s The Batman)
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