The 17 most anticipated albums of 2022|Lyricf.com

Albums can be tough to keep track of. The A.V. Club would like to officially go on record (no pun intended) as acknowledging this fact; each week, let alone each month, brings a deluge of new releases into record stores and digital streaming services.

Trying to keep up with all of them is a fool’s errand. The best you can do is scan lists of upcoming releases and set a few notification reminders on your computer or phone to alert you when something of interest is on the horizon. And even then, let’s be honest: It’s very easy to hit the mental equivalent of the snooze button on your internal calendar.

So consider this our small attempt to help you get a leg up on the most intriguing releases in the coming year. Setting aside the fact that a lot of the biggest artists out there have an annoying tendency to surprise drop new albums without warning (just a small head’s up next time, Beyoncé, please), most of the best acts out there still give you advance notice when they’ve got a record coming out.

So here’s an opportunity to mark the days: From Jack White to Spoon, from Big Thief to Bloc Party, these are some of the most noteworthy albums set to come out in the coming year. It’s mostly the first half of 2022, because frankly, the back half hasn’t been announced yet. But we’ve also got some promised LPs that just lack a firm release date (hi, Kim Petras!); check back with us soon, and we’ll update this list as soon as we’ve got the info.

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The Weeknd, Dawn FM [January 7]

Toronto singer The Weeknd announced the follow-up to his multiplatinum smash After Hours last fall, saying the record is completed and describing The Dawn Is Coming as one of those “Quincy Jones meets Giorgio Moroder meets the best-night-of-your-fucking-life party records.” You know, the same ol’ same ol’. So far, we’ve only heard early single “Take My Breath,” with its straight-up disco thump, but there’s no reason to suspect the artist will be letting quality-control standards slip on the rest of the album.

Cordae, From A Bird’s Eye View [January 14]

Fans of the classic boom-bap can look forward to the release of From A Bird’s Eye View, the sophomore studio album from Los Angeles-based rapper Cordae. Following up the massive (and twice Grammy-nominated) success of The Lost Boy, the new album finds Cordae once more delivering lyrically dense verses over beats (courtesy of Hit-Boy) that summon the ghosts of hip-hop’s earlier generations—as demonstrated by the excellent guest verse from Lil Wayne on recent single, “Sinister.”

Animal Collective, Time Skiffs [February 4]

For a lot of folks, the various side projects of the members of Animal Collective have become just as appealing, if not more so, than the original group. But with “Prester John,” the lead single from upcoming album Time Skiffs, the band issues a clear reminder of why they’ve remained so acclaimed for so long. The slow rhythm, meandering melodies, and note-perfect harmonies all come together for a song that beautifully captures Animal Collective’s, well, collective potential.

Mitski, Laurel Hell [February 4]

It’s been four long years since Mitski’s last album, 2018’s Be The Cowboy, and while that might not seem like a long time for some bands (paging the seven-year gap between the last two Pearl Jam albums), for a pop artist as vital as Mitski, it’s an eternity. We already listed her lead single, “Working For The Knife,” as one of the best songs of 2021; the other nine songs on Laurel Hell’s tracklist will likely follow suit this year.

Big Thief, Dragon New Warm Mountain I Believe In You [February 11]

There’s never enough Big Thief. Even when the band announces a new double LP, Dragon New Warm Mountain I Believe In You, our general reaction is, “Eh, could’ve been a triple album.” We kid, but only a little. Singer Adrian Lenker’s two solo albums from last year were fantastic, as were the two records the group put out in 2019. If anything, the double LP strategy seems more like a “let’s go ahead and get it out of the way, we’re always bursting at the seams with great material” admission. And the band’s results—beautifully lush Americana—bear it out.

Shamir, Heterosexuality [February 11]

Shamir has always had different layers to his music, but there seems to be a radical directness coming from the artist with his upcoming record, Heterosexuality. From the titles to the lyrics, Shamir is explicitly grappling with queerness and identity in a much rawer, more potent way than on past releases. Couple that with music that incorporates some industrial flourishes with fragile melodies, and you’ve got a record worth focusing on.

Spiritualized, Everything Was Beautiful [February 25]

If that’s not a Spiritualized album title, then nothing is. Album opener “Always Together With You” explicitly hearkens back to J Spaceman’s classic Ladies And Gentlemen We Are Floating In Space, with a woman’s crackling radio voice announcing the title as the track begins, before the slowly looping instrumentation and vocal patterns emerge, building to wonderfully cathartic release, albeit sunnier than usual. But that’s quite a sliding scale of emotion: This is an act that doesn’t do small measures. It’s bombastic in the best way.

Superchunk, Wild Loneliness [February 25]

We’re never going to not be excited about a new Superchunk album. The North Carolina indie rockers have been crushing it since returning in 2010 with Majesty Shredding, with the subsequent decade seeing albums largely as good as anything from their first 10 years. First single “Endless Summer” has a mellower vibe than 2018’s fiery What A Time To Be Alive, more reminiscent of Here’s To Shutting Up, but its hooky guitar riff and ace melodies promise great things from the full-length.

Charli XCX, CRASH [March 18]

Charli XCX managed to create one of the best albums of 2020 (not to mention, one of the more compelling musical documents of life during quarantine) with the crowdsource-enabled How I’m Feeling Now. Her next album, CRASH, looks to be a much glitzier affair. As teased by the assist of Caroline Polachek and Christine And The Queens on recent single “New Shapes,” it, too, is a collaboration-heavy effort—only this time with fellow pop stars instead of the public.

Phife Dawg, Forever [March 22]

Phife Dawg’s long-awaited posthumous release is finally seeing the light of day. The Tribe Called Quest rapper passed away in 2016, but the band’s one-time manager Dion Liverpool has been patiently assembling this collection of tracks with the blessing of Phife’s estate. There’s been little more than a couple of early singles released last year, but this is a must-hear record for any fan of the group.

Jack White, Fear Of The Dawn [April 8]

The former White Stripe has actually announced two upcoming solo albums for 2022. Entering Heaven is due out July 21, but Fear Of The Dawn will arrive three months earlier. The initial single, “Taking Me Back,” is a little corny with its blues-riffing-meets-industrial vibes, but the alternate version he subsequently put out, with its Appalachian bluegrass sound, was much more promising. Regardless of which direction he skews, these promise to be fascinating releases from the ever-busy artist.

Bloc Party, Alpha Games [April 29]

When Bloc Party announced that upcoming album Alpha Games would be a back-to-basic affair, the band wasn’t fucking around. Lead single “Traps” is a roiling burst of propulsive post-punk, with the off-beat hi-hat rhythm and singer Kele Okereke’s insistent declamations riding over it all. It’s been five years since the underwhelming minimalism of Hymns; it seems the intervening half-decade has once again lit a fire under the four-piece. Good.

Conway The Machine, God Don’t Make Mistakes [TBD]

God Don’t Make Mistakes, the upcoming Shady Records debut from Griselda rapper Conway The Machine, has been teased for so long now (it was first announced back in 2019), that it’s acquired a bit of mystical sheen. Yes, there was that odd collab with Eminem himself, but while we have a tracklist for the album, he hasn’t released a note of it yet. Still, coming from the prolific artist who put out three full-length releases in 2020 and two more this year—with nary a dip in quality—this should be a behemoth when it finally drops.

My Bloody Valentine, TBA [TBD]

Okay, yes, we’ve been fooled before. My Bloody Valentine’s Kevin Shields said back in 2018 that the band would be releasing two new albums within the year; needless to say, those didn’t materialize. But during the many 30th anniversary tributes to the group’s landmark Loveless this year, the band members sounded much more serious about getting new music out there—specifically, one album of “warm and melodic” material, the other much more experimental. Considering the 22 years between Loveless and MBV, we expect Shields to take his time.

Sky Ferreira, Masochism [TBD]

It’s been seven long years since Sky Ferreira last put out an album, and two years since her last new music—the single “Downhill Lullaby”—so it’s understandable that fans are a little skeptical that something new is forthcoming. But recently, Ferreira took to Instagram to assure everyone that new music from the L.A. musician should be forthcoming in 2022. If she continues fusing synth-pop with bleak indie rock so powerfully, it should be well worth the wait.

Arcade Fire, TBA [TBD]

There’s almost no chance 2022 comes and goes without a new Arcade Fire record. Last year, singer Win Butler said he had written “two or three” albums’ worth of music for the band during lockdown, and they were supposedly in the studio during late 2020. That all points to a long-delayed follow-up to 2018’s Everything Now. Honestly, we wouldn’t mind a little less disco on this one.

Kim Petras, TBA [TBD]

The ebullient dance pop of Kim Petras has long moved out of the realm of guilty pleasure into pure pleasure, an artist who unabashedly embraces the gleeful silliness of pop-music structures to deliver sugar rushes of uptempo bops. There’s no release date yet (or title) for her forthcoming 2022 album, but if “My Coconuts”—an uproariously absurd slice of disco funk that gives “My Humps” a run for its money in the mastery of the single entendre—is any indication, Petras is just waiting for the right moment to strike. Our guess is summertime.