UPDATED: Day 2 of the WGA strike saw pickets arrive bright and early outside key industry locations in Los Angeles and New York.
Many guild members say they have been energized by the organized picketing efforts and the opportunity to compare notes and vent frustrations with fellow scribes.
WGA leadership was out in force on Day 1, walking the walk as they talked the talk. David Goodman, former WGA West president and co-chair of the guilds negotiating committee, said the collective will of the membership will be crucial in determining the course of the work stoppage
Were here as leaders of our union to stay in touch with our members to see how theyre faring, to give them whatever help we can. Theres a lot of support that the union provides and also the Hollywood community provides for our members in a situation like this, Goodman told Variety. I have a great deal of confidence in this membership. They understand what were fighting for. And were here to listen to them, and they will make the determination of the success of this fight.
NETFLIX(Los Angeles)
Writer Brandon Cohen outside Netflix in Los Angeles Michele Mulroney, VP of WGA, told Variety that the mood she encountered a picket locations on Tuesday was a mix of frustration and expressions of extreme support with the WGAs mission.
Theres a lot of solidarity and positivity. Theres a lot of frustration about where the deal stood when we were forced to go out on a strike, but the deal that was on the table on Monday would not have been accepted by this membership, Mulroney said. You never know how long a strike has to go. Well stay out for as long as it takes to get what we need.
As for the timetable of the WGA and Alliance of Motion Picture and Television Producers trying again at the bargaining table, Mulroney said, Were ready to go back to the negotiating table whenever theyre ready to get serious about our agenda.
Lila Byock, whose credits include HBOs Watchmen and The Leftovers, put the onus of the strike on the AMPTP member companies. Its clear from the studios response they werent engaged in a serious negotiation and that they were inviting this labor action. We had no choice.
We will stay out here as long as we need to, until the studios are prepared to make a fair deal.
Wrter Phil Morgan praised WGA leaders for the organization theyve brought to the contract process. Theyre doing an excellent job. They communicated their message clearly and concisely, Morgan said. And the things that they have asked for (in the contract) are the things that all of us as the working writers have been asking for for years. So I think that theyre listening to their membership.
NETFLIX (New York) A few hundred pickets turned out within 15 minutes of the scheduled start time Wednesday outside Netflixs New York outpost on Broadway near Union Square. The chant of No wages, no pages was heard up and down the block along with drums and other noisemakers. After a while, the chant turned to simply, Netflix sucks.
At one point, the picketing group was so large that it was able to wrap around the entire city block in a continuous rotation.
Among those in attendance were WGA East president Michael Winship, WGA East executive director Lowell Peterson, and Emmy-winning late-night writer Greg Iwinski, who is a WGA East council member that participated in the negotiations with AMPTP.
I think that the studios want to control all aspects of writers careers, unfortunately, Peterson said to Variety while on the line. Theyve discovered this new technique in having so much of the writing on the season done preseason, they like the fact that they had more work for less money, and they liked the fact that writers become more desperate because the gigs are shorter and the gaps between gigs are longer. So its really about power, power is money.
Everyone Variety spoke to said they were prepared to hold out the strike for as long as it takes because, as Iwinski put it, its an existential threat.
Im a late-night TV writer, he said. And what theyre pitching to us is taking a 13 week at a time contract that weve had since Jack Paar was hosting late-night shows and said, what if we paid you by the day and you went home at night and the next morning found out if you had a job. Thats existential to me and every late-night writer, just the idea of breaking up 13 weeks and us getting paid week by week. Its not how it works in a job thats so stressful that they make other shows about how stressful it is write late-night TV.
Those who spoke with Variety also addressed the issue of AI possibly becoming a major force in entertainment, which has become a significant sticking point in recent months.
I think initially, when we were talking about it, we didnt perhaps take it as seriously as we needed to, Winship said. But now we increasingly realize what their intentions are and their intentions are to use it to basically wipe us out and create robot-generated screenplays that just ultimately arent going to work. So we have to get on top of it. Were not totally against it for some subsidiary uses but what people have to realize is that the writers are the only generative aspect of the industry. Were the ones who generate the material that everyone else interprets the director, the camera person, the props, the hair, the makeup. It all comes down to, like they say in the theater, if it aint on the page, it aint on the stage.
Several hundred WGA pickets target Netflixs New York offices near Union Square I am a writer on strike right now, Shonda Rhimes stated Tuesday evening. The Queen Charlotte creator and Shondaland head, who is a WGA member, was accepting a BAFTA Special Award in New York, being honored for her career in front of press, cast members, students and other guests. The event was sponsored by Delta, Virgin Atlantic and her Bridgerton home Netflix.
I feel the pain of the people who are dealing with the strike. But for me, for writers to get paid what they do in a fair way, is far more important, Rhimes said. To have somebody devalue art, its bad enough as it is right now. Thats happening everywhere. But for writers to not be able to make a living wage, while making a television show or making a movie is a problem.
DAY 1 (May 2) Just hours after the Writers Guild of America called for a strike, members started picketing in New York City.
The first picket took place at the Peacock NewFronts advertiser presentation on Fifth Avenue, beginning at 1:30 p.m. ET. More than 100 writers and supporters showed up within an hour, with that number swelling to approximately 200 as the day progressed. It was the only scheduled picket in New York today, and had a lively turnout despite chilly weather.
Chants included No contract, no content. The workers united will never be defeated, Get up, get down, N.Y. is a union town, and No money, no funny!
Among the signs were several clever and pointed messages, including, What weve got here is a failure to communicate was NOT written by a producer, What would Larry David do?, Pay nerds a fair wage, We are NOT in Severance,' Pay your writers or well spoil Succession' and many more.
Dopesick writer and creator Danny Strong spoke with Variety at the NewFronts picket line about why the strike is essential to the union.
These issues are so profound and so important, he said. The entire media landscape has wildly changed because of streaming. These issues were issues we should have addressed three years ago, but because of the pandemic, the writers graciously agreed to not pursue it. In those three years, streaming has only taken up a bigger share of the market while the other ancillary distribution outlets have only gotten smaller and smaller. So the issue has blown up into a bigger and even more important one for writers to get a more fair share of streaming.
Variety also spoke with Our Lady J, who received multiple Emmy nominations for her work on the groundbreaking FX series Pose and has also worked on shows like American Horror Story and Transparent. To her, the biggest issue is fairness in writers residual pay.
Its interesting that the CEOs and the executives at the streamers are telling stockholders that the future is in streaming and that they are a strong industry and worth investing in, she said. And yet theyre telling the Writers Guild the opposite, saying that they are unsure of the future of the industry, and therefore they cannot meet our requirements for fair residuals and due pay.
Hilary Bettis, who has worked on shows like FXs The Americans and the Hulu limited series The Dropout, attended the picket line in New York with her two small children in a stroller.
This is the whole reason Im here, Bettis said of her kids. Im the reason that they have health insurance. Im the reason that they have daycare. Im the reason that they have a roof over their head and have food and all of it is because Im a writer.
This isnt a sustainable career, she continued. This is how I support my family. We deserve fair residuals. We deserve to be paid fairly for the rooms that were in. Ive staffed on a lot of shows. Ive developed a ton of pilots and still, from year to year, I just barely make my health insurance. I have to take on more than I have the bandwidth for just to get by.
Picketing is scheduled to take place outside studio gates across the Los Angeles area, including the Fox lot in West Los Angeles, Sony Pictures Entertainment, Amazon and Apple headquarters in Culver City, Netflix and Paramount Global in Hollywood, NBCUniversal and Warner Bros. in Burbank, among other locations.
Heres a rundown of Day 1 picketing activity by location in Los Angeles. Check back regularly and refresh for updates.
NETFLIX Outside Netflix headquarters at the intersection of Sunset Boulevard and Van Ness Avenue, at least 200 pickets were out in force by Tuesday afternoon.
Many SAG-AFTRA members joined WGA scribes to make their voices heard. Writers traded notes and spoke of their emotional last day at work in writers rooms. Pickets were energized by being together and the strong response from passing cars, which mostly honked and shouted messages of support for the strikers.
Im here because I feel like there are eight giant corporations controlling the industry now, said CODA writer Sian Heder as she demonstrated outside of Netflix. And the work of creatives working in that industry has been continually diminished over the last 10 years.
Heder said she was shocked to see in information distributed Monday night by the guild that the major studios did not engage on the timely question of how AI fits in to literary endeavors. These are issues that if we dont resolve them now, theyre only gonna get worse, she said.
Heder also addressed the deep concerns that writers at all levels have about the worsening showrunner drought. With fewer writers kept on staff through the entire post-production process, far fewer people are getting the requisite experience to advance to the top of the TV writing ladder as showrunners. Heder noted the dramatic changes that have ensued just in the decade since she got her start as a baby writer on Netflixs Orange Is the New Black.
I was a staff writer. The next year I was a story editor. I was a co-producer then I was a producer, Heder said. That was a career ladder, where I was actually starting to make a living and support myself. Whats happening now with these mini versions is that writers are being stuck at staff writer level for years. Half these writers cant even make their (health) insurance (minimum earnings) because these mimi rooms are not long enough to make your insurance quota.
Among the chants heard on the line were Hey, hey, ho, ho, this corporate greed has got to go. Picket sign messages of note included Netflix and Shill, and, in a nod to the slogan famously scrawled on Woody Guthries weather-beaten acoustic guitar, This Sign Kills Fascists.
PARAMOUNT GLOBAL The turnout at the Melrose Avenue plant was strong. The crowd included a snow-white pup named Dash who had a sign fashioned around his collar that read: Youre barking mad if you think well settle. Another picket sign hoisted in front the studios distinctive iron gates read: We Have Beef.
Adam B. Vary DISNEY and WARNER BROS. The two mega studios in Burbank were encircled by pickets. Outside Disneys iconic gate, protestors stretched far and wide down Alameda Avenue. A large group milled in front of the main gate in front of the corporate headquarters building featuring the Seven Dwarfs of Snow White fame.
Michael Schneider WGA members and supporters actually continually walked around Disneys sprawling Burbank lot, also picketing the studios other two major gates on Buena Vista Blvd. and Riverside Drive. The picket line also stretched across the street on Riverside to the front of ABC headquarters. In front of Disney, one writer grabbed a paint bucket and drum sticks and kept a beat going, while media gathered to interview some in attendance. WGA strike captain Chris Maddox (Dynasty, A Million Little Things) said this was his first strike, and I thought it was important to show solidarity and build community while were striking for equality. Thats why I decided to join the ranks.
I was holding out hope that I deal would happen, he added. So were here, showing that we finally need to come up to 2023 and equality in pay. And that we ask whats fair now, so we dont have to do this again in another three years.
As traffic passed by the strike, vehicles frequently honked their horns in support. Its exciting, everyone is here, I think SAG sent out a release saying where we were going to be and I think some actors are going to join the ranks and show their solidarity. Were in it for the long haul, for how ever long we need to be, well be here, Maddox said.
At Disney, clever picket signs included Picket Up to Series, Time for Revisions, Steamboat Willie NOT Chatbot Willie, My Home Economics Dont Work Without Pay, Frankly, Studios, You Should Give a Damn, Blank for a Reason, No Pages Without Fair Wages, AMPTP Better Have My Money, This Sign Is Your Last Piece of Free Work, Nice Try, AMPTP, But in Hollywood, The Bad Guys Always Lose, and more.
At Warner Bros., another featured a hand-drawn clenched fist with the slogan Batman Supports Fair Pay.
FOX CORP. Bada Bing! No less a literary eminence than The Sopranos creator/showrunner David Chase was spotted walking the beat outside the Pico Boulevard plant studio formerly known as 20th Century Fox. Chase also repped for Tony Sopranos beloved Garden State flag with a Newark M.O.S.T. baseball cap. Count Chase among the WGA veterans who went through the 2007-08 strike as well as the nearly six-month walkout in 1988.
To me, its always the same its just greed. Greed and fear, Chase observed of the contract wrangling process.
Feature writer E. Nicholas Mariani hoisted a sign with Norma Rae Reboot in the message field. Its all about free work and its about compensation, he said.
John Dale pointed to the short duration of many writing jobs these days as unsustainable for anyone who wants to make a living. if we can only get one job a year and its eight weeks, thats not sustainable, Dale said.
AMAZON STUDIOS and PRIME VIDEO If we dont get it, shut it down. That was a popular chant along Ince Boulevard in Culver City outside the citadel of Amazon Studios and Prime Video. By 3 p.m. PT, approximately 200 writers and their supporters (including SAG-AFTRA members) had checked in to the picket line. The crowd was smaller than at other picket sites, but the red placards couldnt be missed outside the Southern Gothic mansion that was once home to David O. Selznicks Selznick International Pictures. Another frequently-heard rally cry: Alexa, Pay Us.
For all of our demands to be met only requires studios to give us less than 2% of profits on our work, so it seems unreasonable not to give us that, said Jonterri Gadson, a WGA strike captain and a writer for HBOs A Black Lady Sketch Show and the animated series Everybody Still Hates Chris. I think sometimes the writers are made to look like were unreasonable or were spoiled, but when I heard that number, I wanted people to know that.
Gadson has been in a whirlwind the past 24 hours. Monday was a long scramble to get as much writing done as possible before the May 1 contract expiration deadline.
I was actually working to finish things up until 11 p.m. They had called the strike. And we were still trying to finish by 11:59. The Everybody Still Hates Chris writers room started in September 2022 and was about halfway done. Showrunners Sanjay Shah and Chris Rock ensured the show was under the WGA contract because writing happens throughout the animation process, Gadson said.
Gadson maintains that guild members are ready to tough out a long work stoppage in their pursuit of a fair deal.
Were prepared to go as long as we need to get the deal we need, she said. This union is hardcore. We will walk out; we have walked out. And so were gonna hold the line until we get a reasonable deal.
Jennifer Maas, Joe Otterson, Jazz Tangcay, Selome Hailu, Adam B. Vary, Michael Schneider, BreAnna Bell, Angelique Jackson, Gene Maddaus and Cynthia Littleton contributed to this story.
VIP+ Data: The Media Companies Most Impacted in a Strike