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2011: The year in band names

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MC Hammer’s Please Hammer Don’t Hurt ’Em

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Quiet Riot’s Metal Health

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Bob Dylan's Modern Times

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Blues Brothers' Briefcase Full of Blues

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Metallica’s St. Anger rode a wave of dysfunction to the top of the charts

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Lauryn Hill’s The Miseducation Of Lauryn Hill

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Phil Collins was just your average, everyday, kind of creepy star when he made No Jacket Required

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Trent Reznor made alt-rock’s last stand with The Fragile

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The fake Beatles album Yesterday And Today once topped the charts

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Foo Fighters’ debut was a bridge between Nirvana and mid-’90s alt-rock

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Boston’s blockbuster debut proved a tough act to follow on deadline

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Kerplunk captures the sound of Green Day before the breakthrough

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Prince’s Batman soundtrack is not the embarrassment it’s reputed to be

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Why Billy Joel’s An Innocent Man disproves John Philip Sousa’s musical fears

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Santana’s Supernatural was 1999’s most surprisingly successful album

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Interpol’s Turn On The Bright Lights brought sexy back to indie rock

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Jimmy Buffett pulled in some country-music ringers for the horribly titled License To Chill

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Fartbarf, Neon Piss, and more: the year in band names 2012

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Why the fatalistic Goodbye Yellow Brick Road remains Elton John’s most popular album

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