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Mellon Collie foretold both glory and doom for The Smashing Pumpkins

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60 minutes of James Brown being super bad

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Duran Duran’s “A View To A Kill” propelled James Bond into the modern world

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The Doors perfectly captures cultural and personal disillusionment

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LL Cool J’s Radio and the genesis of Def Jam

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Dead at 26, Baby Huey left the world one grand LP

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It’s five against one with 60 minutes that define Pearl Jam

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Floor told metal dudes that it’s okay to be boy crazy

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Robert Palmer’s “Addicted To Love” helped define the MTV era

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Solomon Burke’s Don’t Give Up On Me was a soul resurrection done right

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When Bundled Bowels met Gruesome Toilet: The 2015 year in band names

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On Commitment, Bobby Darin became a folkie radical

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Haddaway’s “What Is Love” is the one-hit wonder that keeps hitting home

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On The Man Who Sold The World, David Bowie found his career blueprint

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Brothers And Sisters found The Allman Brothers Band wandering into uncertain territory

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Wreckless Eric was the punk rock record that wasn’t

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On Good Old Boys, Randy Newman approaches the South with an insider’s touch

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A one-of-a-kind album tried to turn ’80s pop on its ear

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20 years later, Tupac’s All Eyez On Me is still as raw as an exposed nerve

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The Yardbirds replaced, reused, and revolutionized on Having A Rave Up

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