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With “Mr. Big Stuff,” Jean Knight recorded a feminist anthem

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“We Didn’t Start The Fire” was an accidental hit that captured craziness

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Pink Floyd’s The Division Bell is a lesson in the unfortunate power of nostalgia

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Men At Work’s “Who Can It Be Now?” blurs the line between private and crazy

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When great records breed bad followers: The ups and downs of Van Halen

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If you can do the Bartman, you’re bad like Michael Jackson

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With Life Won’t Wait, Rancid nearly made good on its Clash-inspired promise

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Encore, once considered Eminem’s worst, stands as satire within chaos

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From Elvis In Memphis is the only Elvis Presley record you need

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With “Sex And Candy,” Marcy Playground turned disco gibberish into alternative gold

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Forever Changes is a stunning indictment of The Summer Of Love

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Americans were bound to hate The Streets’ Original Pirate Material

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After Illmatic, Nas had to return to Earth

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With Dirty Mind, Prince dropped the double entendres

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60 minutes of Madonna that show why she matters, as a musician and a cultural figure

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With Nine Lives, Aerosmith managed one last gasp of greatness

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On Laid, Brian Eno helped James find its footing

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Townes Van Zandt finally came to life on Live At The Old Quarter

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With Otis Blue, Otis Redding changed the landscape of soul music

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Michael Jackson’s “You Are Not Alone” is creepier and sadder than you think

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