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Knapsack’s Day Three Of My New Life both defined and destroyed it

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A group from sunny California out-gothed them all

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Digable Planets’ debut album continues Reachin’

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Beats, Rhymes And Life was A Tribe Called Quest’s commercial peak—and first misstep

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Georgia O’Queef, meet Slutvomit: The year in band names 2013

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With Band On The Run, Paul McCartney escaped The Beatles’ shadow

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Buzzcocks played on the tension between punk and pop

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Sinéad O’Connor got what she didn’t want: mainstream acceptance

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With The Game, Queen broke all the rules, including its own

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How Challengers became The New Pornographers’ most atypical—and best—album

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A decade on, Madvillainy is still a masterpiece from hip-hop's illest duo

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With Tragic Kingdom, No Doubt gave ska a chance

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Green Day’s Dookie succeeded by being unapologetically fucked up

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With Decemberunderground, AFI rode tacit approval all the way to the top

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You Fail Me proves hardcore can grow up without losing intensity

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With Jar Of Flies, Alice In Chains unleashed an accidental masterpiece

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Ratatat’s debut is a time capsule from a Brooklyn bedroom

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Coldplay’s X&Y was its first very bad album—and its first no. 1

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With the La Bamba soundtrack, America got the chance to right some wrongs

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Travis’ The Man Who paved the way for Coldplay’s sensitivity

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